铜佛像是用铜或者青铜铸造、表面鎏金的佛像，汉传和藏传是其两大支柱，目前在市场上常能见到的是明清时期的作品，以藏传佛像居多，河北博创制作各种艺术精美的铜佛像。汉传主要接受的是印度显教流行期的犍陀罗、马土腊等几种造像风格和手法，造型相对简单，形象敦厚温和，大多是一头二臂，以寂静像居多；藏传主要接受的是印度密教期的东印度、尼泊尔、斯瓦特、克什米尔等几个艺术流派的影响，造型以愤怒像居多，多为多面多臂或异类身，有坐、立、舞等各种姿态。

Copper Buddha is made of copper or bronze casting, surface gold Buddha, Han and Tibetan is the two pillar, currently on the market can often see is the Ming and Qing Dynasties works on Tibetan Buddha majority, Hebei Bo made various art exquisite bronze statues. This is a major recipient of the India popular explicit teaching period of Gandhara, Ma wax statues of several styles and techniques, other relatively simple image Dunhou moderate, mostly a head and two arms, with silence like a majority; is a major recipient of the India Tibetan Esotericism period in eastern India, Nepal, Kashmir, Swart etc. several other art schools, to anger like majority, is multi-faceted multi arm or heterogeneous body, sit, stand, dance and other attitude.

明清铜佛像是佛教造像艺术之一。明代由于寺院的广建和民间供奉的需要，以及朝廷布施给宗教领袖的需要，使得金铜造像迅速发展，并形成了永乐、宣德年间最高造像水平的“永宣金铜造像”。此时的造像面相丰满、造型优美、金色充足、艺术水平极高。清代造像继承明代风气，精工细作，是藏传金铜造像的高峰期。现在这些造像不仅仍是佛教徒膜拜崇奉的对象，更是珍贵的民族艺术遗产，受到中外收藏界的宝爱。

Bronze statues of the Ming and Qing Dynasties are one of the art of Buddhist statues. The Ming Dynasty temple wide construction and civil worship, and the need to give to religious leaders, the bronze statues of the rapid development, and the formation of Yongle and Xuande the highest level of "statues of Yongxuan bronze statues". At this time the statue faces plump, beautiful shape, golden enough, artistic level is extremely high. The Qing Dynasty inherited the Ming Dynasty statues of Tibetan culture, Seiko secret agents, bronze statues of the peak. Now these statues are still not only Buddhist worship worship object, more precious national art heritage, by Chinese and foreign collectors treasure love.