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浮雕的发展历史
浮雕是一种以三维空间来展现雕刻在器物上的雕刻艺术,其历史发展相当久远。 Embossed sculpture is a kind of sculpture art that shows the sculpture in three-dimensional space, its historical development is quite ancient. 浮雕起源于原始先民,原始先民信仰原始宗教,浮雕随着原始宗教的发展出现了,进入奴隶社会,特别是我国的夏商周时代,青铜器特别发达,铜雕艺术不断趋于完美。 Embossment originated from primitive ancestors, primitive cliff-paintings original religion, relief appeared with the development of primitive religion, enter the slave society, especially in xia era, bronze ware developed in particular, bronze sculptures art tend to perfection. 在夏商周时代,青铜器上的浮雕装饰纹样以怪异的线条,深沉凸现出的铸造刻饰,体现了一种无限的原始的宗教感情,其中“饕餮”纹是中国古代青铜器上最有特色的一种浮雕装饰样式。 In the era of xia, embossed on the bronze ware decoration pattern with odd lines, dark highlights casting carved decoration, reflected a kind of infinite primitive religious feelings, including "gluttonous" grain is one of the most distinctive on the ancient Chinese bronze relief decoration style. 浮雕工艺在境内残存的最早的浮雕作品为唐代王潮墓室穹顶的莲花浮雕石砖和宋代洛阳桥上的月亮女神以及黄塘岩峰寺前后殿壁上石龛的弥勒佛、观世音立像浮雕,其雕刻线条柔顺秀美,具有较高的技艺水平。 Embossing process in the remaining of the tang dynasty is the earliest the relief work of WDG lotus of relief stone brick tomb dome and the song dynasty the luoyang bridge on the goddess of the moon and yellow pond were temple temple wall rock before and after recess of maitreya, the goddess of mercy stands resemble relief, its soft beautiful carved lines, has a high level of skill.

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