在中国，虽然秦始皇下令收缴天下兵器，运至都城咸阳销毁，并铸成12个各重24万斤的大铜人，排列在阿房宫殿前，但并不似西方那样自觉将其作为城市的组成部分。在以后的漫长岁月中，也未出现类似西方的人物雕塑制作。 In China, although the emperor ordered the confiscated weapons all over the world, shipped to the capital city of xianyang, and made 12 each weighed 240000 jin tong ren, is arranged in front of the house of Epang Palace, consciously but not like in the west as a part of the city. In the long run, there was no such thing as western sculpture. 　　直到20世纪上半叶才在一些经济、文化比较发达的城市，如上海、天津、成都、广州、重庆等地建立了一些真正意义上的人物雕塑制作。50年代特别是80年代以后，伴随着改革开放和经济、文化的发展，人物雕塑制作在许多大中小城市如雨后春笋般出现，其中不乏优秀之作。 Until the 20th century in some relatively developed economic and cultural cities, such as Shanghai, tianjin, chengdu, guangzhou, chongqing and other places set up some real character sculpture making. Especially after 80 s, 50 s, with the development of reform and opening up and economic and cultural character sculpture made in many medium cities sprang up, some of them good. 　　人物雕塑制作特性和意义 The characterization and significance of the sculpture 　　人物雕塑制作在中国具有悠久的历史，且并不因时代和社会及国家的更迭而中断。人物雕塑制作不同于广场上的其他的雕塑，一般的人物雕塑制作都是有一定的意义存在的。好多的雕塑因为都涉及到好多的历史人物，而这些历史人物又在历史的长河中有着一定的作用，所以，人物雕塑制作有着其他雕塑所不能赋予的特性。 The sculpture made in China has a long history and is not interrupted by the changing of times and societies and countries. The sculpture is different from the other sculptures in the square, and there is a certain meaning to the general sculpture making. Many sculptures because involves many historical figures, and these historical figures in the history has a certain effect, so the character sculpture making a sculpture can give other properties.